[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fA2pGjEPhjXrAm-5Sr-ri02PK2p73qZFhomaSMIMMcJQ":3},{"code":4,"msg":5,"data":6},200,"操作成功",{"id":7,"title":8,"content":9,"digest":10,"source":10,"coverPath":11,"thumbsCoverPath":12,"isTop":13,"isShow":14,"baseClick":13,"clickCount":15,"createTime":16,"typeId":17,"isNewest":18,"newsInfoTypeRespVo":19,"voiceUrl":22,"voiceSize":23,"taskId":24,"releaseTime":25,"titleEn":26,"contentEn":27,"voiceUrlEn":28,"taskIdEn":29,"voiceSizeEn":30},1467,"强化艺术智性与人工智能的协同","\u003Cimg alt=\"\" src=\"https:\u002F\u002Fimage.51xinwei.com\u002F2026\u002F03\u002Fhistory\u002Fb6018095ab194079a3e9e8df98b2a691.png\" width=\"632\" height=\"null\" style=\"display: block; margin: auto;\">\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">自古以来，艺术与科学相互促进、相互融合，共同推动人类社会向前发展。如今，科学技术发展至新阶段，艺术与科学的对话愈发深入。作为第三届“良渚论坛”期间举办的国际文化艺术交流活动，中国（杭州）艺术与科技国际双年展以“天地人机”为主题，汇聚全球20余个国家和地区、160余位艺术家和科学家等创作的作品，呈现技术迭代进程中文化生态的重构轨迹和未来图景，回应良渚论坛“文明重光：文化遗产与人类文化多样性”的主题。\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">杭州，是良渚文明曙光初现之地，也是创新活力之城。这种艺科融合基因，向外展现为一种从容自信的对话姿态，向内沉淀于艺术与科技融合的实践之中。中国（杭州）艺术与科技国际双年展不仅仅是一场艺术展览，更是前沿思想的实验地与未来的感知场域。展览以“联结·具身交互”“共生·数字教育”“猜想·生态重构”“宣言·哲学追问”4个板块，构建起“天地人机”的多维对话。\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">展览中不乏因技术迭代驱使人们加强对话的前沿作品。数件来自国内外的作品通过沉浸式装置、可穿戴设备、交互界面等媒介，让观众亲身体验“人机联结”的感知状态。其中，聂士昌的《滴动仪》《循回仪》《璇玑仪》（见图）便是机械动力与数字算法融合的代表，探索着机械运动与空间反馈的交互逻辑。以美国艺术家扎克·利伯曼《每日速写》为代表的作品，则通过捕捉观众的手势、声音与面部表情来驱动艺术创作，通过算法生成获得探索艺术主体表达的无限可能，标志着艺术正从静态观赏走向动态共创。这类作品展示了技术作为创作方法论的潜力，为理解数字时代的创造性思维提供了新视角。\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">气候危机、技术滥用等全球性议题，也成为创作者聚焦的主题。生物技术的思辨、可持续设计与生态哲学的思考，成为展览“生态重构”板块的重要内容。国内艺术家邢尚美的《后昆虫图鉴——鞘翅预言》等作品，通过基因编辑美学反思生态危机，呈现了生态重构的艺术想象。这也预示人工智能、生物技术等前沿科技，既可能成为解决生态问题的工具，亦可能加剧人与自然的对立，引人思考。\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">在技术浪潮中人类往往沉迷于技术带来的便利，而忽视对“人何以为人”“技术为何存在”等根本问题的追问。英国艺术家安东尼·邓恩与菲奥娜·雷比的《不在此地，不在此时》、日本艺术家筱原规行的《有限中的无限》等作品，通过非常规叙事挑战现实主义表达范式，深化人们对技术伦理与人类存在本质的批判性思考，是对艺术与科学根本使命的回应。\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">在良渚新城举办中国（杭州）艺术与科技国际双年展，旨在开启人文与科技的深度对话。展览中有诸多针对文化遗产从“保有”到“再生”的作品，其中科技所扮演的角色正在从文化遗产的“记录者”转变为文化生命的“激活者”。数字演绎的《玉琮王》、算法生成的《易兽》等都展现了这种趋势。此外，关于太空计算的《计算卫星模型》、模拟引力透镜效应的《时空弹性》等作品，共同预示着一种趋势：艺术将与科学并肩，成为人类探索宇宙和拓展未知边界的重要抓手。\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">艺术与科学的根本使命，始终是“世界的发现与人的发现”。每一位走进展厅的观众，都能成为这场对话的参与者，穿行于“天地人机”的叙事之间。他们所看见的不仅是创造的能量，更是一场跨越五千年的文明回响与无边的未来邀约。在这里，艺术智性与人工智能协同进化，让文明的薪火在古老的智慧与前沿的探索中彼此叩问，在人与机器、人与算法的共生中，烛照下一个千年。\u003C\u002Fspan>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cspan style=\"color: rgb(187, 187, 187);\">【新闻来源】人民网  \u003C\u002Fspan>\u003Ca href=\"http:\u002F\u002Fkpzg.people.com.cn\u002Fn1\u002F2025\u002F1117\u002Fc404214-40604891.html\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"color: rgb(187, 187, 187);\">https:\u002F\u002Fmp.weixin.qq.com\u002Fs\u002FRH7anFgRokfIkEqKFt6gTg\u003C\u002Fa>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"color: rgb(187, 187, 187);\">（本网转发此文章，旨在为读者提供更多的信息资讯，所涉内容不构成投资、消费建议。文章事实如有疑问，请与有关方核实，文章观点非本网观点，仅供读者参考。）\u003C\u002Fspan>\u003C\u002Fp>","","https:\u002F\u002Fimage.51xinwei.com\u002F2025\u002F11\u002Fe75fa225f1aa4407979bf0f5f5a1171d\u002FAI领域.jpg","https:\u002F\u002Fimage.51xinwei.com\u002F2025\u002F11\u002Fthumbs\u002Fe75fa225f1aa4407979bf0f5f5a1171d\u002FAI领域.jpg",0,1,63,"2025-11-19 09:42",2,false,{"id":17,"name":20,"enName":21},"芯位视野","Xinwei Vision","https:\u002F\u002Fxinwei-dev-test.oss-cn-shenzhen.aliyuncs.com\u002Fintelligent\u002Faudio%3A57e34e14-f630-4f22-a69d-a283a2f6b6fd%3A0.wav?Expires=1763541837&OSSAccessKeyId=LTAI5tNvY2RkKjZw4LLWsrPK&Signature=%2FUC0Q5wMl92CIhvXNyCx3GbgNSg%3D",7161696,"57e34e14-f630-4f22-a69d-a283a2f6b6fd","2025-11-19 09:40","Strengthening the synergy between artistic intelligence and artificial intelligence","\u003Cimg alt=\"\" src=\"https:\u002F\u002Fimage.51xinwei.com\u002F2026\u002F03\u002Fhistory\u002Fb6018095ab194079a3e9e8df98b2a691.png\" width=\"632\" height=\"null\" style=\"display: block; margin: auto;\">\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">Since ancient times, art and science have mutually promoted and integrated, jointly driving the advancement of human society. Today, scientific and technological development has entered a new stage, and the dialogue between art and science has become increasingly profound. As an international cultural and artistic exchange activity held during the third \"Liangzhu Forum,\" the China (Hangzhou) International Biennale of Art and Technology, themed \"Heaven, Earth, Human, Machine,\" gathers works created by more than 160 artists and scientists from over 20 countries and regions around the world, presenting the reconstruction trajectory and future vision of the cultural ecosystem in the process of technological iteration, responding to the theme of the Liangzhu Forum, \"The Resurgence of Civilization: Cultural Heritage and Human Cultural Diversity.\"\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">Hangzhou is the place where the dawn of Liangzhu civilization first appeared, as well as a city full of innovation vitality. This integration of art and science is outwardly manifested as a confident and composed attitude of dialogue, and inwardly is accumulated in the practice of integrating art and technology. The China (Hangzhou) International Biennale of Art and Technology is not only an art exhibition, but also an experimental ground for cutting-edge ideas and a field for perceiving the future. The exhibition builds a multidimensional dialogue on \"Heaven, Earth, Human, Machine\" through four sections: \"Connection · Embodied Interaction,\" \"Symbiosis · Digital Education,\" \"Speculation · Ecological Reconstruction,\" and \"Declaration · Philosophical Inquiry.\"\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">There are many cutting-edge works in the exhibition that drive people to enhance dialogue due to technological iteration. Several works from home and abroad use immersive installations, wearable devices, interactive interfaces, and other media to allow viewers to experience the perceptual state of \"human-machine connection.\" Among them, works such as Nie Shichang's \"Dropper,\" \"Circuit Meter,\" and \"Xuanji Instrument\" (see figure) represent the integration of mechanical power and digital algorithms, exploring the interaction logic between mechanical movement and spatial feedback. Works represented by American artist Zac Lieberman's \"Daily Sketches\" capture gestures, voices, and facial expressions of the audience to drive artistic creation, generating infinite possibilities for exploring the expression of artistic subjects through algorithms, marking that art is moving from static observation to dynamic co-creation. These works demonstrate the potential of technology as a methodology of creation, providing a new perspective for understanding creative thinking in the digital era.\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">Global issues such as climate crisis and misuse of technology have also become focal themes for creators. Reflections on biotechnology, sustainable design, and ecological philosophy have become important content in the \"Ecological Reconstruction\" section of the exhibition. Works such as Xing Shangmei's \"Post-Insect Atlas -鞘翅预言\" (Foreseeing the Elytra) reflect on ecological crises through aesthetic gene editing, presenting artistic imagination of ecological reconstruction. This also indicates that frontier technologies such as artificial intelligence and biotechnology may serve as tools to solve ecological problems, but they may also exacerbate the opposition between humans and nature, prompting reflection.\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">In the tide of technology, people often get addicted to the convenience brought by technology while ignoring the fundamental questions of \"What makes a human being?\" and \"Why does technology exist?\" Works such as Anthony Dunne and Fiona Raby's \"Not Here, Not Now\" and Shinohara Noriya's \"The Infinite in the Finite\" challenge conventional narratives to question the realist expression paradigm, deepening critical thinking about the ethics of technology and the essence of human existence, which is a response to the fundamental mission of art and science.\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">Holding the China (Hangzhou) International Biennale of Art and Technology in the Liangzhu New City aims to initiate a deep dialogue between humanities and technology. There are many works in the exhibition that focus on the transformation of cultural heritage from \"preservation\" to \"renewal.\" The role of technology is changing from a \"record-keeper\" of cultural heritage to an \"activator\" of cultural life. Works such as the digital performance of \"Jade Cong King\" and algorithm-generated \"Yishou\" (Beast) demonstrate this trend. In addition, works such as \"Computational Satellite Model\" about space computing and \"Spacetime Elasticity\" simulating gravitational lens effects together indicate a trend: art will stand side by side with science, becoming an important means for humans to explore the universe and expand the boundaries of the unknown.\u003C\u002Fspan>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cbr>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"font-size: 18px;\">The fundamental mission of art and science has always been \"the discovery of the world and the discovery of humanity.\" Every visitor who enters the exhibition can become a participant in this dialogue, wandering through the narrative of \"Heaven, Earth, Human, Machine.\" What they see is not only the energy of creation, but also a long-standing echo of civilization spanning five thousand years and an endless invitation to the future. Here, artistic intelligence and artificial intelligence co-evolve, allowing the flame of civilization to question each other between ancient wisdom and cutting-edge exploration, illuminating the next millennium in the symbiosis between humans and machines, humans and algorithms.\u003C\u002Fspan>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cbr>\u003C\u002Fp>\u003Cp>\u003Cspan style=\"color: rgb(187, 187, 187);\">[News Source] People's Daily \u003C\u002Fspan>\u003Ca href=\"http:\u002F\u002Fkpzg.people.com.cn\u002Fn1\u002F2025\u002F1117\u002Fc404214-40604891.html\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"color: rgb(187, 187, 187);\">https:\u002F\u002Fmp.weixin.qq.com\u002Fs\u002FRH7anFgRokfIkEqKFt6gTg\u003C\u002Fa>\u003C\u002Fp>\u003Cp class=\"ql-align-justify\">\u003Cspan style=\"color: rgb(187, 187, 187);\">（This article is reprinted by this website to provide readers with more information and news. The content involved does not constitute investment or consumption advice. If there are any doubts about the facts of the article, please verify with the relevant parties. The views expressed in the article are not the views of this website and are for reference only.）\u003C\u002Fspan>\u003C\u002Fp>","https:\u002F\u002Fxinwei-dev-test.oss-cn-shenzhen.aliyuncs.com\u002Fintelligent\u002Faudio%3A84aae4e3-a304-4d00-9c1c-5433d45ce00a%3A0.wav?Expires=1774838451&OSSAccessKeyId=LTAI5tNvY2RkKjZw4LLWsrPK&Signature=PtDZaducnn4ZRFQwCyBVqNf7i%2FM%3D","84aae4e3-a304-4d00-9c1c-5433d45ce00a",10458500]